About The Pharoah
What up y’all!?
It’s ya boy, !
I’m an artist & veteran. A mestizo Hip-Hoppa and scribe from Colorado. Known for my fierce yet strangely beautiful style of linework, novel and mystical characters, and intricate lettering.
These days I specialize in digital and traditional illustration, drawings, sketching, character design, creative ideation, lettering, and murals.
I’m a Hip Hoppa with mad love for rap music and graffiti.
But, I’m much more than just that. I’ve created art in a huge variety of mediums, all over the U.S. and the world, for a diverse range of folks from circles to squares; from street cats to Navy officers, and every last one of them has been elevated by my dope creations.
Creations so dope, some fools have even taken to calling the DEA!
I’ve got my irons in many fires, and I’ve created everything from music to the visual arts.
It is my honor and pleasure to serve as a lens for people to bring both my vision and yours to life.
My specialty is creating fantastic, stylish, profound spiritual artwork with an attitude and a modern Hip-Hop twist. My aim is to create work that is ruggedly beautiful, inspiring, and transformative.
Want to see my work? Check out my Portfolio right here:
The Short Story
What up y’all!?
It’s ya boy
I’m an artist & veteran. A mestizo Hip-Hoppa and scribe from Colorado. Known for my fierce yet strangely beautiful style of linework, novel and mystical characters, and intricate lettering.
These days I specialize in digital and traditional illustration, drawings, sketching, character design, creative ideation, lettering, and murals.
I’m a Hip Hoppa with mad love for rap music and graffiti.
But, I’m much more than just that. I’ve created art in a huge variety of mediums, all over the U.S. and the world, for a diverse range of folks from circles to squares; from street cats to Navy officers, and every last one of them has been elevated by my dope creations.
Creations so dope, some haters have even taken to calling the DEA! But, Pharocious Art stops for no one.
I’ve got my irons in many fires, and I’ve created everything from music to the visual arts.
It is my honor and pleasure to serve as a lens for people to bring both my vision and yours to life.
My specialty is creating fantastic, stylish, profound spiritual artwork with an attitude and a modern Hip-Hop twist. My aim is to create work that is ruggedly beautiful, inspiring, and transformative.
Want to see my work? Check out my Portfolio right here:
Oooo so majestic!
My Music
In Xochitl, In Cuicatl
I’m not just a visual artist. I also write and perform rap music. I also can sing pretty well. I did my first public performance at the age of 6 where I sang Amazing Grace to a live audience of over 100 people.
I wrote my first rhyme at the age of 10, submitted it to a contest in School, and won! My poem Flying Ruby was a hit and was published in 2004.
I wrote my first rap at age 11. Admittedly, it was a lil too aggressive. But I carried on anyway in private. I started writing heavily in 2015 and started performing at ciphers and house parties in San Diego.
In 2017, I moved to Virginia, for the U.S. Navy, and started regular performances at open mics. I recorded my first song in 2018. You can check it out here:
In 2019, at my college RMCAD in Colorado, I created the Hip-Hop Club Daystar. It didn’t last as long as I’d hoped, but I managed to create 5 songs in that time period, 4 of which are professional grade. I wrapped it all up and released it as an EP in 2021. You can peep that here:
I still am rocking the mic these days! You can check me out on my SoundCloud here:
My Best Song:
My Latest Song:
I’ve done a few interviews by the way… Check ‘em out here:
Canvas Rebel, Online Article (2023):
We Are All One Story, Video Interview (2022):
ShoutOut Colorado!, Online Article (2022):
The Long Story
Born in the ’90s in Aurora, CO, USA, I’ve been creating since I was 2 yrs old and drawing on everything within reach ever since. I started with crayons on the walls, much to my parents’ chagrin, then graduated to creating my own characters and painting on bigger walls. Much to my surprise, the juras were eager to inform me that painting on walls without permission was, in fact, illegal.
My family was pretty poor coming up, so we stayed on the move. I changed homes 21 times during my 12 yrs of schooling and grew up in neighborhoods from coast to coast, mainly across CO, CA, and AZ. Every move dropped me into a different scene with new people, slang, music, styles, and walls. I learned early how to adapt, peep the environment, and tell my own story no matter where I landed.
My passion for art really leveled up at 8 yrs old while living in CA. Pokémon cards had the whole playground in a chokehold, but my family couldn’t afford to keep buying packs, so I did what any young hustler with an imagination would do. I drew my own. If I couldn’t afford the world everybody else was collecting, I’d build one myself.
At 10, I caught the graffiti bug courtesy of my cousin and big-brother figure, Joshua Bersuch, better known as Tha Redemer. He introduced me to graffiti, Hip-Hop, and the power of leaving your name behind. Following his lead, I started getting up anywhere I could, writing my name and other people’s names, and drawing characters on every surface that looked a little too clean. Paper, folders, desks, walls, if it sat still long enough, it might catch a piece.
After enough complaints came rolling in about my habit of decorating everything in sight, my older brother’s homeroom teacher handed me my first sketchbook. Instead of shutting down the art, she gave all that restless energy a place to live.
The grown folks might not have understood it, but my peers did. They stayed asking me to draw their names, sketch their characters, and lace their notebooks with something fresh. Before long, people knew my work wherever I landed. At 13, while living in Yuma, AZ, I formed my first graffiti crew with 2 fellow artists, Devour and Scribe. We called ourselves BTC, “Bomb The City.” We were young writers with big imaginations, passing blackbooks around, sharpening our styles, catching adventures, and dreaming of leaving our mark on something bigger than ourselves. We kept it moving until I returned to CO at 15.
Coming up poor, Mestizo, and rooted in Hip-Hop meant I was constantly judged by people who couldn’t see past the surface. Security guards followed me, neighborhood watch types watched me sideways, stuffy teachers treated me like trouble, and jurors approached me like I was already guilty. To them, a brown kid in baggy clothes with markers in his pocket had to be some kind of gangster. They saw a stereotype. They didn’t see the young artist studying letters, characters, color, rhythm, and the visual language of the streets.
That pressure followed me into HS. Shortly after turning 16, I dropped out after a geography teacher falsely accused me of plagiarism, even though I had cited my sources, and the school offered no real understanding or recourse. When the state told me I could be locked up for truancy until I turned 17, I had to flip the script. I enrolled at Colorado’s Finest Alternative HS, where the staff treated me like a young man with potential instead of a problem they needed to contain.
Their flexible schedule, practical homework system, and genuinely supportive attitude gave me room to handle business. I walked in classified as a junior with freshman-level credits and still managed to grind my way across the finish line early, graduating at 17. Once somebody finally gave me a fair shot, I showed exactly what I could do.
Before returning to school, I had already decided to join the US Navy after reading Lone Survivor by Marcus Luttrell. My Navy journey really started along the South Platte River Trail in Englewood, CO, where I trained by jogging 10 mi a day to get myself squared away for boot camp. I enlisted after graduating in March 2011 and shipped out that November.
In 2019, after 8 yrs underway, I was honorably discharged and finally came ashore. I returned to the same South Platte trail where the journey had started, laced my Navy boots together, tagged them in calligraffiti, and hung them from a power line in Englewood. That was how I closed the hatch on one chapter and marked the beginning of the next. Full circle, from running beneath those lines to prepare for the Navy, to hanging my boots above that same trail when my final watch was over.
After 8 yrs of military life, I was burnt out and in no hurry to jump straight into another machine. I had taught myself plenty through repetition, observation, busted knuckles, late nights, and pure stubbornness, but I also knew there were gaps in my formal training. So, at 25, I put my GI Bill to work and enrolled at Rocky Mountain College of Art + Design.
RMCAD gave me the chance to tighten up my fundamentals without sanding away the street soul that made my work mine. I studied anatomy, perspective, composition, visual storytelling, character design, painting, and concept development while bringing graffiti, Hip-Hop, Chicano culture, and my own lived experience into the classroom. In Apr 2023, I graduated Magna Cum Laude with a BFA in Illustration, specializing in Concept Art. The same kid they once tried to chase away from walls had earned his degree by learning how to build entire worlds.
All the while, I kept building Pharocious Art, my independent creative hustle and the casa where all my different styles live under one roof. Through Pharocious Art, I’ve created illustrations, murals, logos, branding, tattoo concepts, apparel, album artwork, live art, and custom commissions. My work carries the flavor of graffiti yards, tattoo shops, lowrider lines, comic books, boom-bap drums, neighborhood walls, and blackbooks filled under bad lighting. It’s rooted in the raza, shaped by struggle, and powered by the belief that art can turn pain into purpose and memory into something that refuses to die.
In 2025, I stepped into another cipher and returned to school at CSU Pueblo to study music and media production. I expanded my toolkit through sound recording, mixing and mastering, audio production, radio, writing, artist interviews, advertising, beat production, and voice work through Student Media and REV 89.5 FM. Visual art had always been one half of my language. Music gave the other half a mic. The pen, brush, marker, voice, and MPC all became different tools in the same creative arsenal.
In Fall 2026, I’ll carry that journey to NYC and continue my education at Lehman College, pursuing a 2nd bachelor’s degree in Music with a focus on Digital Music Technology. From Aurora to Yuma, from Colorado’s Finest to the USN, from RMCAD to the radio booth, and now to the birthplace of Hip-Hop, every port has added another layer to the piece.
Whether I’m rocking paint, pixels, typography, tattoo lines, written bars, or sound waves, the mission stays firme: tell the truth, honor the people who made me, challenge the systems that tried to box me in, and leave something behind that can’t be buffed over. I’m still that same kid with a sketchbook and something to prove. I just have a bigger wall now.
My Time in the Navy
I joined the US Navy as an Engineman in 2011 at 17, which is a perfectly reasonable age to sign away 8 years of your life when the economy has capsized, and gainful employment has become rarer than finding a stripper who actually loves you. The world was still reeling from the shipwreck of the 2008 crash, and I was desperately hunting for work so I could stand on my own 2 feet. Opportunities were scarce. For a poor street cat with no connections, they might as well have been buried treasure.
So I set my sights beyond the horizon and joined the Navy. I didn’t even get recruited. I recruited my damn self, signed the articles, and stepped aboard. Whether this was ambition, desperation, or bad judgment remains open to debate. Either way, the tide had turned, and I was underway. I shipped out to Recruit Training Command Great Lakes near Chicago, IL, where I survived boot camp with DIV 043. That was my introduction to reveille, taps, endless musters, folding everything into tiny squares, and learning that a bulkhead is not a wall, a deck is not a floor, and a head is definitely not where you keep your thoughts.
Afterward, I attended Engineman “A” School to study the mean mechanical arts of diesel engines, auxiliary systems, pipes, pumps, valves, and hydraulics. Basically, how to keep machinery from bursting into flames and how to put it out when it did. That’s where I joined the ancient brotherhood of snipes, the gang who live below decks, turn wrenches in heat hotter than a jogger’s crotch, and keep everythang moving while everybody topside enjoys the sea breeze.
From there, I received orders to Assault Craft Unit One (ACU-1) in Coronado, CA. Waiting for me were the Landing Craft Utilities, or LCUs, 135-ft steel beasts built to haul Sailors, Marines, vehicles, equipment, and heavy cargo from ship to shore. Picture the landing craft from the opening scene of Saving Private Ryan. These were old Vietnam-era versions of those warhorses, with flat bottoms, bow ramps, and engine rooms hotter than the devil’s ass in a wool peacoat. They were loud, stubborn, constantly leaking something, and about as graceful as a brick launched through the surf. My job was to keep them systems humming.
On an LCU, nobody gets to hide behind a single job title. I served as an engineer, deckhand, firefighter, damage-controlman, lookout, helmsman, throttleman, security watch, and whatever else all hands required. If machinery failed, we brought it back to life. If fire broke loose, we fought it. If the bilges took on water, we stopped it. Engineering casualties, line-handling details, beach landings, sea-and-anchor details, towing ops, and well-deck evolutions all required every soul aboard to man their station. The craft sailed because we kept that bitch singing like a snitch in court.
Only 3 mos after reporting aboard ACU-1, still green as a fresh bowl, I embarked on my first great voyage, a 9-mo deployment aboard the USS Peleliu. I was 18, crossing oceans aboard a massive haze-gray warship while our LCUs rode inside her well deck like steel babies in the belly of a beast. That first year, I made about $12K and felt like I was up to my tits in gold. I had steady pay, 3 squares and a rack, liberty in foreign ports, and more responsibility than most fools my age could imagine.
Over the years, I completed 3 overseas deployments, participated in hundreds, if not thousands, of operations, and long watches beneath unfamiliar stars. We crossed open water, pulled into distant ports, worked alongside crews from across the globe, and carried out tasking wherever the fleet sent us. There were early musters, late liberty calls, watches longer than a motherfucker, endless field days, chow inhaled before somebody could task you with more bullshit, and enough hurry-up-and-wait to make a man lose his goddamn religion. Sleep was something you stole when the watchbill looked the other way. Coffee was fuel, profanity was punctuation, and scuttlebutt traveled faster than official word. The Navy is a fucking grindstone.
My 2nd deployment came aboard the USS Anchorage in 2015. We sailed across the Pacific Rim, working and training alongside several Asian navies. It was part military op and part international collaboration, with Sailors from different nations bringing their own ships, methods, languages, and traditions to the same stretch of ocean.
I rose from a boot Engineman learning the ropes to serving as 2nd Engineer, directly beneath the Chief Engineer. I helped run the engineering plant, trained junior Sailors, troubleshot casualties, signed off maintenance, and made sure our clownshow answered every call. Keeping an old warhorse alive meant learning her moods, every rattle in her bones, and which noises were normal, expensive, or meant you should find the Chief Engineer before he found you.
My 3rd and final deployment came in 2016-2017 aboard the USS Comstock, where I spent another 9 months underway. By then, I was no longer the greenhorn trying to learn which way was forward. I was saltier than a Caribbean mine, greasier than a politician, and had enough time below decks to know when machinery was about to start some shit before it actually did.
After 5 years of sea duty, I transferred to DEPERM in Norfolk, VA, and finished my final 3 years working around some of the Navy’s strangest and most specialized machinery. At DEPERM, we altered and reduced the magnetic signatures of Navy ships to help protect them from magnetic detection systems and mines. We wrapped massive electrical cables around entire ships and pushed controlled currents through them, rearranging their magnetic fields. It was strange, highly specialized work, straight-up wizardry.
When I first signed on, I figured I might stay for the full 20. It seemed like a fine plan at 17, when 20 yrs feels less like time and more like gouge about a distant future that may never arrive. By Virginia, I had steamed far enough to know that course was no longer mine. The Navy gave me discipline, technical skill, sea legs, and enough adventures to fill several captain’s logs. It had also taken its toll, as all great voyages do. The sea gives, and the sea takes. In 2019, after 8 yrs of service, I was honorably discharged as an EN2, a 2nd Class Petty Officer.
Through it all, I never completely put the pencils down. I designed T-shirts, command flags, challenge coins, and tattoo concepts for my shipmates. Whenever I caught some liberty or a quiet minute off watch, I drew my own ideas and kept sharpening my style. One of my favorite traditions was bombing the clipboards with custom tags. Even surrounded by haze gray, steel decks, diesel, saltwater, and machinery, the artist in me remained aboard like a stubborn stowaway who refused to be thrown overboard. As the years rolled on, my art grew cobwebs. Eventually, I faced 2 courses. One led deeper into the fleet. The other led back to the art that had been calling to me since I was a niño, with crayons on the wall.
A compass can tell a Sailor which way is north, but it cannot tell him which life belongs to him. For that, he must trust his instincts and choose the horizon worth chasing.
So I took the helm and set a new course.
I chose art.
The Story of Redemer
R.I.P. Joshua “Redemer” Bersuch
1984-2004
My cousin Joshua Bersuch was like an older brother to me. We grew to share a love of Hip-Hop and graffiti, I recall the many times he schooled me about the culture as he’d walk me home from elementary school. It was Josh who got me into graffiti. He was an athletic and tough kid and had to grow up quickly after his parents essentially abandoned him. With no guidance, Joshua fell prey to the street life of drugs, gangs, and graffiti.
He wasn’t all bad though. He was also “Redemer” a skilled artist with the dream of someday opening a non-profit to help disadvantaged artists like himself. He came to live with my part of the family when he was 15 and tried to turn his life around. When he lived with us he got a job, a girlfriend, and started attending college for graphic design.
Unfortunately, the past refused to rest in its shallow grave. On April 25, 2004, Joshua Bersuch’s time and luck ran out. He was brutally murdered in the neighborhood of Globeville in Denver, Colorado. He was only 19 years old. His murder, Case #: 04-18683, has never been solved and his dreams never realized.
His murder still haunts me. I was only 10 years old when he was killed. It’s had a profound effect on me. When I was told about his death by my mother and the homicide detective it felt like my heart was hit by a sledgehammer. I made an oath to his spirit that I would carry on his legacy through my art since he couldn’t anymore. His unjust murder serves as a dark intense motivation and dedication that I carry with me wherever I go. It also serves as a reminder to never take another person for granted because you never know when they gonna go, how they are gonna go out, and/or if you’ll ever get any Justice.
As a result, I make sure I show up and do my best every day. That everything I craft is done with meticulous detail and spirit. That I speak up, stand up for what’s right, and share my perspective on life whenever I can.
Anyone with information on Joshua Bersuch's homicide is asked to contact police and the family's designated private investigator Conte Reyes at thewildhuntinvestigations@gmail.com.